betty collings

betty collingsbetty collingsbetty collings

Considering nature's structure.

What follows are select pieces of a 50-page portfolio broken into each category:  Bronze ("Flo" above"), Large Inflated Sculpture, Painted Sculpture, Painted Inflatables, Painting, Drawings, Ceramics, and Soft Sculpture. 

bronze

"Annie," 2000

14" x 60" x 20"

"Emma," 2007

35" x 35" x 35"

"Jane," 2000

74" x 19" x 32"

Base 5.5" x 28" x 28"

"Judy," 1972

17" x 18" x 26"


large Inflated sculpture

Helices

"For Spacious Skies," 2001

10' x 23' x 10'

Large 2-piece Helices

"Archimedes Excursion," 1974 

Each Approx. 10' x 25' x 10'

Large Helices

Large Helices

"St. Sophia," 1983

10' x 56' x 10'

painted SCULPTURE

Painted Canvas

"Red Plume," 1982

10' x 4' x 4'

Acrylic Over Vinyl, Inflatable

"Thwarted Experiment," 2001

20" x 40" x 40"

Painted Vinyl

Painted Vinyl

"Wind Pavilion," 1994

10' x 4' x 10'

Painted sculpture

Acrylic Over Vinyl, Inflatable

"Universe," 2009

 35" x 80" x 35"

Acrylic on Blackout Cloth

"Turtle Universe," 2009

38" x 56" x 56"


Acrylic on Blackout Cloth

Acrylic on Blackout Cloth

"The Queen," 2007

4' x 9' x 4'

painting mutli-panel

Acrylic on Vinyl

"Not Me," 1984

89" x 40"

Front or Back

Acrylic on Vinyl

"Not Me," 1984

89" x 40"

Front or Back

Acrylic on Vinyl

Acrylic on Vinyl

"Tropical Kelp," 2016

7' Height, varies

PAINTING (CONTINUED)

Acrylic Painting

"Photo Wall Retrospective," 2009

89" Height, Varies

Acrylic on Vinyl

"Transcend 1," 1984

89" Height

Acrylic on Vinyl

Acrylic on Vinyl

"Transcend 2," 1984

89" Height

drawing

Analytical

"Dots On Page," 1987

 18" x 24"

Paper Strips and Dots

"Cun(jug)ate Drawing SS," 1977

30" x 22"

Paper Strips and Dots

Paper Strips and Dots

"Asymmetrical Symmetries," 1988 

36" x 36"

Drawing (contiinued)

Vinyl Ink on Vinyl

"Universe Print," 1980

52" x 52"

Ink on Paper

"Plumes," 1989


22" x 22"


Left & Right


Ink on Paper

Ink on Paper

"Antioch Graces 1-3," 1982


22" x 22"

ceramic

"Large Platter," 2005

"Hair Spray," 2008

"Blue Botticelli," 2012

"Blue Botticelli," 2012

ceramic (Continued)

"Bowl With Spiral," 2005

"Small Bowl," 2003

"Blue Water Feature," 2009

"Blue Water Feature," 2009

I

soft sculpture

"Quadruped"

Topillos are topological pillows -- shapes related to the Anolatabulata series. Decorative and useful. Sizes vary, largest 34" x 19" x 19"

 Indirectly related to the Permutative Series are derived from the  cellular shape that results when two circular discs are matched and  joined. Made of varied fabrics filled with polyfill, they are sculptural  fun intended for decoration or interior use.  

"Green Hook"

"Triple Fancy"

My Gallery

See my 50-page catalogue at  www.BettyCollings.com   recommended viewed on large screen for nuances, not mobile devices. Call for navigation and availability. Arrange visits to either studio. 

Price On Request!


Find out more

Contact Me

Get in Touch!

Attach Files
Attachments (0)

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Questions or Comments

Message or ask questions using this form. I will do my best to get back to you soon! Remember, I travel.

Betty Collings' Calendar:

May - Nov USA: 1.614.486.3773 Dec - Mar New Zealand: +64.07.8663043 Year-round Email: 2b@bettycollings.com

BIOgraphy

About the Artist

  

Betty Collings a distinguished artist and innovator active in sculpture, painting and ceramics is based in Columbus, Ohio. 

With over 50 years of experience, she spearheaded numerous projects that created opportunities for practicing artists while enhancing the cultural experience of the community at large.  Her notable contributions include, in the 60’s, the establishment of The Hogan, Swarthmore, P.A., one of the first collective artist galleries, the development of the Ohio State University Gallery of Fine Art to that of national import, the acquisition Ohio State’s “Art of the  70’s “ collection, the creation of The Artists Organization (TAO) including the establishment of ArtistsonArt.org. She also curated 10 Solo Exhibitions and Aspects of Perception (the 1980’s), co-initiated New Zealand’s Mercury Bay Art Escape, an annual studio tour .

Ms. Collings earned a Bachelor Fine Arts (1970) and a Master of Fine Arts 1974) from The Ohio State University. Then while pursuing studio activities, for almost a decade she served as Director of The Ohio State University Gallery of Fine Art.    Later, as an independent writer for Arts Magazine, Ms. Collings lectured in China and Ukraine about Ohio artists.  Her early work as curator and artist was featured in a review article written by Dan Munn for Contemporary HUM about the 1922 exhibition “Begin, Again: a Pre History of the Wex 1968-69.” 

In 1974 the work of the early period, ceramics and figuration, preceded an abrupt move into conceptual and experiential art.  This was followed by a 50+ year study using inflated vinyl that became the core of a personal understanding of biological process and the formation of the early universe.  Initially, this well-reviewed work attracted the interest of the mathematician Phil Huneke whose published article “Smooth Tessellations of a Sphere and Other Surfaces” was based on the early examples of the comprehensive set “Anolatabulata.”  As a result of this pursuit, she was invited to participate in several Art and Science conferences and served briefly on the Executive Board of ISIS Symmetry.   Work presented at this conference was published in two articles in the proceedings “Symmetry Natural and Artificial. No 1 “ISIS Symmetry,1955.

Her ceramics, soft and bronze sculpture, and acrylic painting have been shown nationally and internationally.  These include over 25 solo exhibitions at the Bertha Urdang Gallery in New York city, Islip Museum, Gallery Vistavka, Ukraine and at numerous regional universities and museums.  There have been career retrospectives in Ohio and Kentucky and her work has been featured in over 70 regional and international group exhibitions.  

Born in Wanganui, New Zealand, she was a member of the New Zealand-United States Arts Foundation from 1981 – 1989.    As a testament to her career, Ms. Collings received the Distinguished Service Award for Contributions to the Visual Arts from Columbus Art League and a Distinguished Service Award for Curation and Managing  from the Ohio Department of Natural Resources in 1997.

In addition to the Ohio studio Ms. Collings had a ceramics studio in New Zealand.     More information can be found on www.bettycollings.com.

Betty Collings: Organic Artist

1991 Hillside Drive, Columbus, OH 43221

+1.6144863773

Copyright © 2025 Betty Collings: Organic Sculptor - All Rights Reserved.

Powered by

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

Accept